Creative domain of potential illustration of practice
Explore how high potential is developed in the creative domain.
Covered in this illustration of practice are the key actions:
Watch Creative domain of potential
Watch the video Creative domain of potential (5:37) to learn about creative ability.
[On screen text Creative domain of potential
High potential and gifted education]
[On screen text Shianne, Student]
Shianne
Circus skills involve a variety of different acrobatic elements, such as partner work, tumbling. I think at such a young age, I was definitely identified as having a strong potential within the performing arts. It's one of my high school teachers – er true passion and authenticity towards the arts, I think, really inspired me, and she was always such an approachable person and was always like, eager to help us learn new skills and also take time out of her day to individualise skills for us that we could further develop.
[On screen text Kirsty, Shianne’s mother]
Kirsty
When Shianne hit the performance floor, she just became a different person, this shy little girl in the studios, learning her routines and learning her activities just became someone else when she hit those performance floors.
Shianne
Every performance that I do, I definitely experience being in the zone or in the flow. Um, there's always a sense of anticipation, of nerves and anxiety beforehand, but like once you're on the stage and then the lights come on and you see the audience and the music starts, I think all that just fades away and you can really immerse yourself within the moment and just perform the way you want to perform and just let it all happen.
[On screen text Fiona Gudmunson, Head Teacher]
Fiona Gudmunson
The Rions are one group or one band we have at Barrenjoey High School. Now, they've started their development in Year Seven, which is fabulous. They've met each other, they've come together as a group, but they've had that connection musically.
[On screen text Harley, Student]
Harley
Some of the achievements as a band: getting on Spotify in general. Our first release show for our very own song, "Nightlight", which is on Spotify now. We've gone up to Byron Bay to compete in a Bluesfest competition with which we got runners up. If I had to give advice to all the teachers in New South Wales on how to nurture creative students, I would say be patient with them – gifted students aren't always the easiest – and trust that they are able to harness the drive to unlock their potential of their talent, as well as be there to assist them when they need it.
[On screen text Asher, Student]
Asher
Also, to a degree where you don't want to give them an entitlement that they're different to other students. Don't let them get ahead of themselves, I guess. And um, not over teach, I think.
[On screen text Noah, Student]
Noah
Give people free rein and, you know, trust to do the music that they want to do. Um, whether or not that be baroque or metal, heavy metal, just just stick with them and make sure they're comfortable playing the music that they want to play.
Fiona Gudmunson
I think creativity comes from within. It gives students an outlet to actually express themselves individually, but also being recognised as an individual. You know, in a such a large school setting as a secondary school, you know, to be able to play music and be creative or being artistic or dramatic or, you know, even in writing, it's so important to to have that recognised and nurtured and developed.
[On screen text: Ivy, Student]
Ivy
Creativity starts with the idea, and then having a high expectation on yourself to achieve that is what comes after it. But then within all the hard work, you create the magic and you create this masterpiece.
[On screen text: Joanne King, The Arts Unit]
Joanne King
Ivy's a great student. She's extremely passionate, she's bubbly, she's got a really great energy about her. And that, um, that level of expression in her personally exudes out onto the space when she steps onto that stage.
Ivy
My teachers at school have nurtured my gift, and they've created a safe space for me to share my love for the performing arts. And, um, having them in contact with the Arts Unit and Schools Spec. has been able to provide opportunities for me. I think there's one thing that makes me love performing, and it's the feeling. The feeling when you are dancing or singing or acting. And for me, it's, everything stops and I'm not thinking about the next move or I'm not thinking about the next line. It's a, it's a timeless experience and I crave that every second of the day. I think the major highlight for me in my performance career has been dancing with the Aboriginal dance company. That was something that I've never experienced before. Um, I've always wanted to learn more about my culture and be able to communicate that through the style of dance. I remember standing side stage and I just had to take a big breath, and I just breathed in and breathed out and then went on stage and my eyes were like, flooded with tears. And everyone around me felt exactly the same. And I thought that that was really special because we all have a connection with our culture. But then we also had the special connection for our love of the arts.
[Title on Screen: Find the high potential Develop the talent Make the difference]
[End of transcript]
Professional learning questions for school leaders
School leaders can use the following professional learning questions to build capability and engage in discussion with others.
The montage of students in the introduction of the video represents a range of subjects. Consider how you evaluate practices, procedures and programs for the creative domain across various subject areas at your school, including, mathematics, science, English, STEM, history, geography, PDHPE and creative arts.
- As a school leader, how can you encourage all staff to actively seek opportunities to find and develop talent in the creative domain of potential?
- How might you leverage your school’s current professional learning schedule to do this?
The creative domain discussion paper has practical strategies for school leaders in finding high potential and developing talent.
How could the assessment strategies for creativity be implemented school-wide?
Not all students who demonstrate high potential in the creative domain have access to talent development opportunities.
- Can you think of these students at your school?
- How can your school embed talent development programs that foster creative talent across all curriculum areas?
Kirsty (Shianne’s mother) describes how her daughter transformed when performing.
How can you use the creative domain of potential to enhance student wellbeing and create a positive, inclusive, and safe school culture?
Professional learning questions for teachers
Teachers can use the following professional learning questions to build capability and engage in discussion.
The creative domain of potential includes natural abilities in imagination, invention and originality. This video demonstrates the abilities across various disciplines.
- How might you assess and identify these abilities in your classroom or subject?
- Do you have students showing high potential in the creative domain in different disciplines?
- How might you support these students in developing their talent?
The 4P model of creativity (person, process, product, and place) in the discussion paper explains the interplay of a person’s abilities (aptitude), the creative process, and place (environment), resulting in novel products with social value or impact. As part of the creative process, many interim products may be produced before an end product is selected.
Discuss with colleagues and list practical examples of this model in your classroom or subject.
Some teachers might believe that assessing and identifying high potential and developing creative talent is solely the responsibility of creative arts teachers. The creative domain discussion paper provides practical strategies for finding high potential and developing talent in the creative domain across the curriculum.
How might you incorporate these strategies into your planning and programming?
Both Shianne and Ivy described ‘being in the flow or zone’ and experiencing a timeless state where everything stops.
How can you encourage an optimal balance between a student’s ability level and the challenge provided?
Reflect on the importance of explicitly teaching social-emotional skills to develop perseverance and resilience for high potential and gifted students in the creative domain.
Harley mentions that gifted students are not always the easiest.
Discuss with a colleague some of the advice given by the members of ‘The Rions’ about nurturing creative talent.
Ivy states that we all have a connection to our culture.
How might you harness your students’ unique cultural connections to develop talent in the creative domain?