Sample HSC drama assessment task

There are two parts to this task.

  • Part A - performance essay (20 marks)
  • Part B - two extended responses of between 400 and 600 words each (10 marks each).
  • H1.2 uses performance skills to interpret and perform other scripted material
  • H2.2 uses dramatic and theatrical elements effectively to engage an audience
  • H2.3 demonstrates directorial skills for theatre and other media
  • H2.4 appreciates the dynamics of drama as a performing art
  • H3.1 critically applies understanding of the cultural, historical and political contexts that have influenced specific drama and theatre practitioners, styles and movements
  • H3.2 analyses, synthesises and organises knowledge, information and opinion in coherent, informed oral and written responses
  • H3.3 demonstrates understanding of the actor-audience relationship in various dramatic and theatrical styles and movements.

© Board of Studies, Drama Stage 6 Syllabus, 2009

Task description

PART A (20 Marks) - performance essay - in groups of 1-3 present a performance essay for the following question.

How are the elements of drama manipulated to engage the audience in the two plays you have studied?

Each person in the group is to consider one element of drama. Each person's section of the performance essay must be submitted in writing. Each person has a performance time limit of 3-5 minutes.

PART B (20 Marks) - extended response questions

  1. To what extent are the plays you have studied a reflection of Australian society? Your answer should consider the views of the playwrights, and the social, historical and cultural references the plays make in regards to Australian society.
  2. How do the plays you have studied accept or reject the conventions of traditional Australian drama? Your answer should show an appreciation of how the style of realism is manipulated in both plays.

Write 400-600 words for each response.

Performance essay

A performance essay is a moved presentation of the theoretical information inside an essay. It is usually done in documentary style with a narrator moving in, out, and around selected scene extracts ? explaining their relevance to the question. The key to a good performance essay is to ensure the information is informative and engaging.

The following example is an extract from a performance essay showing how the dramatic element of tension is manipulated in Act III of the Thornton Wilder play, Our Town. The text is read aloud by a narrator while the extracts from the play are performed by both the narrator and another actor.

Following the funeral of Emily we see an attempt by her to return to the world of the living. This ultimately, unsuccessful attempt, creates tension between the two worlds of 'life' and 'death'.

[The actors playing Emily and Mrs Webb begin to act out the scene. They freeze at the point where Emily tries to tell her mother she is dead.]

You will have noticed the characters seem unwilling to look at each other. By employing this simple technique of movement, in this case no eye contact between the characters, significant tension is created. As an audience we are longing for Emily's mother to acknowledge her daughter, but we know this cannot happen.

[The actors continue to act out the scene until Emily is 'ready to go back'.]

Emily's final departure presents an unresolved climax. She has died and there is no chance for her to gain closure with what she acknowledges is a lacklustre past. There is also significant dramatic irony within the scene as we, the audience, know that Emily is dead, whereas Mrs Gibbs is unaware of this fact. This creates a sense of dread, in that we know there is much sadness ahead for the family.

These guidelines are used to mark the collaborative task.

Marks Criteria
17-20
  • Demonstrates a sophisticated understanding of both plays in relation to the chosen elements of drama.
  • Presents relevant examples in a highly engaging and sophisticated manner on stage.
  • Answers the question in a cohesive and coherent manner.
13-16
  • Demonstrates a thorough understanding of both plays in relation to the chosen elements of drama.
  • Presents relevant examples in an engaging and considered manner on stage.
  • Answers the question in a cohesive and coherent manner.
9-12
  • Demonstrates a sound understanding of both plays in relation to the chosen elements of drama, one play may be dealt with in more detail than the other.
  • Presents examples in a somewhat engaging and generally cohesive manner on stage manner on stage.
  • Answers the question in a coherent manner.

5-8

  • Demonstrates a basic understanding of both plays in relation to elements of drama.
  • Presents examples which are inconsistent with the chosen element/s of drama with limited consideration of staging.
  • Attempts to answer the question in a somewhat coherent manner.

1-4

  • Demonstrates limited understanding of the play/s in relation to elements of drama.
  • Examples do not reflect chosen element of drama.
  • Limited response.

Each of the two responses is marked separately.


Marks

Criteria
9-10
  • Demonstrates a sophisticated understanding of both plays in relation to the question.
  • Demonstrates exemplary knowledge of the content and theatrical techniques of both plays in relation to the question.
  • Answers the question in a cohesive and coherent manner.
7-8
  • Demonstrates a thorough understanding of both plays in relation to the question.
  • Demonstrates thorough knowledge of the content and theatrical techniques of both plays in relation to the question.
  • Answers the question in a cohesive and coherent manner.

5-6

  • Demonstrates a sound understanding of both plays in relation to the question, one play may be discussed in more detail than the other.
  • Demonstrates sound knowledge of the content and theatrical techniques of both plays in relation to the question.
  • Answers the question in a coherent manner.
3-4
  • Demonstrates basic understanding of the play/s in relation to the question.
  • Demonstrates basic knowledge of the content and theatrical techniques of the play/s in relation to the question.
  • Attempts to answer the question in a somewhat coherent manner.
1-2
  • Demonstrates limited knowledge or understanding of the play/s or the theatrical techniques.
  • Presents limited response.

Category:

  • HSC
  • Teaching and learning

Business Unit:

  • Teaching, Learning and Student Wellbeing
Return to top of page Back to top